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When I covered the delivery of 4,000 pounds of rice for Wesleyan's most recent installation of Feet to the Fire, Stan's Cafe, Of All the People in the World, USA. I was, frankly, skeptical that piles of rice, representing world statistics, could actually be "art" worth considering.
I was wrong.
I attended the opening of the installation Friday, and was immediately struck by the simple beauty of the piles of rice, where each kernel represents a single human being, spread on a gallery floor, on white sheets of paper containing compelling statistics.
The first two piles of rice you encounter in the exhibit are one which represents "All the people in the world who died today," juxtaposed with the second pile which represents "All the people in the world who were born today."
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The piles of rice, attended by actors in the role of docents, who measure (each pound of rice contains 27,263 grains), assemble and tidy the piles of rice, are spread through the Zilkha Gallery. Others, mainly with historical statistical significance, can be found at the Olin Library on campus. Several other smaller installations will appear throughout the campus, and the city over the 12 run of the installation. And local restaurants have been cajoled into serving special rice dishes in conjunction with the exhibit.
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Statistics for the Wesleyan presentation of the exhibit were compiled by Wesleyan biology professor Barry Chernoff's students in an introductory biology and environmental science course. Eleven thousand pounds of rice will be used in the display, all of which will be re-bagged and donated to local charities and soup kitchens.
The simple beauty of the rice piles is framed by the statistics, which can make the piles seem awesome in the way they reveal numbers - McDonald's customers served in the USA today, or hilarious in their perspective - a single rice grain on a sheet of paper and the caption Morgan Spurlock (the director of Supersize Me).
The piles can also have a big emotional impact, as with the piles which represent all the people who died in the Holocaust, or the one which illustrates all the people who heard Martin Luther King's "I have a dream," speech, which is complete with a representation of the reflecting pool (more on that later).
Some of the piles are whimsical, such as The Hartford Symphony Orchestra, positioned on its sheet of paper like a conductor and and an orchestra, while some are instructive as the large pile which illustrates all the people in
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"I created the piece because I wanted to understand my place in the world, and who I share the world with," explained James Yarker, director of Stan Cafe, and creator of the piece. "I can take one grain of rice in my hand and say, 'That's me.'"
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"'I was standing right next to the reflecting pool,' she told me," Yarker said. "But the remarkable thing was that she told me she had fallen into the reflecting pool, and she pointed to our exhibit pile, where a single grain of rice had fallen into our representation of that pool. She said, 'There. That's me.'"
The exhibit continues through March 3, and admission is free and open to the public. The gallery will hold family workshops on Sunday February 22, and Sunday March 1, during which parents and children will learn about compiling statistics, and how to measure and display those statistics with rice.
3 comments:
The installation was surprisingly visually attractive. Another appealing aspect was the low-tech, cheap-art, everyday accessibility. Very Zen!
I. too, would encourage all to spend a few minutes at the Zilka before March 3, when the show closes. Last night after my visit, I found myself thinking about those grains of rice and how they changed my understanding of the world we live in.
There is also a small presentation of the show in the window of Main St. Market - where It's Only Natural used to have their store. I agree - the show is very thought provoking.
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