CFA Arts Administration Intern Chloe Jones ’15 talks to stage
manager Julia Tyminski '17, and Albert Tholen '15 and Grace Nix '15, who
are performing as Mr. and Mrs. Smith, in the Wesleyan University
Theater Department production of Eugène Ionesco's "The Bald Soprano,"
which runs through Saturday, April 25, 2015 in the CFA Theater, in this entry from the Center for the Arts blog.
Theater Department, directed by Professor of Theater Yuri Kordonsky.
“We are a proper British couple with a twist,” says Ms. Nix with a sly smile.
The
entire play takes place in the living room of Mr. and Mrs. Smith, in
their home on the outskirts of London. “It’s a drawing room drama,” says
Mr. Tholen. “One that goes horribly awry.”
With The Bald Soprano,
Mr. Ionesco rejected coherent plot, character development, and the
concept of realistic drama. Through dark and daring humor, the play
discusses the futility of meaningful communication in contemporary
society, and the tragedy of language in a universe driven by chance.
“It’s a very different logic of causality in this world,” says Ms. Nix. “An illogical logic.”
Ms.
Nix and Mr. Tholen, along with the other four actors in the cast
(Edward Archibald '17, Sara Fayngolz '17, Natalie May '18, and Peter
McCook '16), have been working with Professor Kordonsky since the
beginning of the semester. Together with dramaturge Rachel Sobelsohn
'17, assistant director May Treuhaft-Ali '17, and stage manager Julia
Tyminski '17, they spent the first two weeks of rehearsal analyzing
different translations of the play, originally written in French, to
draft their own composite script.
“We spent hours talking about
single words,” says Ms. Nix. “Until we arrived at a script, which we
felt was the best expression of what this play is trying to say.”
“It’s nice to have ownership over the language in that way,” says Mr. Tholen. “It’s become our script.”
Professor
Kordonsky gave the actors a great deal of creative responsibility
throughout the process. They would divide into subsets and work on
specific moments in the script, then come back together as a cast and
share. They created scene after scene, gradually bringing both clarity
and complexity to Mr. Ionesco’s absurdity.
“I think more than
anything else, Mr. Smith is like a coat that I wear,” says Mr. Tholen.
“I don’t get on stage and become him. It’s more of an attitude.”
“It’s the total acceptance of a different world,” says Ms. Nix. “Even though it doesn’t make any sense, it feels right.”
The Bald Soprano invites
its audience to view the play from the actual stage of the CFA Theater,
rather than from the house seats where one faces a proscenium.
“For
this play you want an intimate connection with the audience,” says Ms.
Nix. “If the audience were farther away, I think we would lose that
connection and some of the urgency of the play.”
Sitting on the
stage of the CFA Theater, the audience finds itself right there in the
living room of Mr. and Mrs. Smith — in close proximity to the play’s
simple set: a couch, some chairs, a clock.
“The set looks
relatively realistic,” says stage manager Julia Tyminski '17. “But the
minute the show starts you realize it’s an absurd production, yet the
actors are playing it as if it’s realism, and that’s where the comedy
comes in.”
Wesleyan University's Theater Department presents
The Bald Soprano by Eugène Ionesco
Wednesday, April 22 through Friday, April 24 at 8pm
Saturday, April 25 at 2pm and 8pm
CFA Theater
$8 general public; $5 senior citizens, Wesleyan faculty/staff/alumni, non-Wesleyan students; $4 Wesleyan students
Directed
by Professor of Theater Yuri Kordonsky. Designed by Professor of
Theater, Retired, Jack Carr (set and lights) and Artist in Residence
Leslie Weinberg (costumes).
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