Showing posts with label documentary film. Show all posts
Showing posts with label documentary film. Show all posts

Sunday, October 16, 2011

Free Screening of AE911 Truth’s Explosive Evidence Oct 20th


In the wake of the 9-11 tenth anniversary, many questions still remain about how the WTC buildings were brought down. Architects and Engineers for 9-11 Truth (AE911Truth) is a group of 1,500+ professionals who have prepared expert testimony on this subject and are attempting to open up a new, independent investigation of 9-11. The non-partisan group has produced a video, “Explosive Evidence,” which corroborates their testimony and concludes that the towers were brought down by controlled demolition with pre-planted explosives and incendiaries.

The video will be screened on Thursday, October 20th at 6:30 p.m. in the Little Barn at 616 Long Hill Road in Middletown. Wayne Coste, a professional engineer, will be there to answer questions and lead a discussion following the screening. Coste is the Congressional Outreach Team Leader for AE911Truth.

All are welcome to attend this thought-provoking presentation. The screening and parking are free to the public.

Thursday, April 14, 2011

Never Look At Dinner The Same Again




During Earth Week, the MxCC Sustainability Team and Student Activities Office have secured the rights to show the Academy Award Nominated Documentary Film "Food, Inc."
The Sustainability Team conducts special activities during Earth Week to raise awareness of important issues involving environmental and social problems. This year the focus is on food and the problems associated with the industrialization of farming and corporate agribusiness.

Here is a NY Times review of the film

Monday, April 11, 2011

Record Store Day is 4/16 - local happenings

submitted by 88.1 FM WESU:

WESU is pleased to announce that on Sunday, April 17th at 4:00 PM we will be hosting a screening of the film 'I Need That Record' a documentary by local filmmaker Brendan Toller. The screening will be followed with discussion led by Malcolm Tent, former owner of Trash American Style records of Danbury which is featured in the film.
The documentary addresses the closing of thousands of record stores in recent years and the viability of the record store in the age of digital music and illegal downloads. The documentary includes insights from Noam Chomsky, Thurston Moore, Ian MacKaye, Glenn Branca and many others
and was filmed right here in good ole' Connecticut.


The film also captures interviews with former WESU DJ Ian LaForce (aka Philo Bedo) during the final days of Middletown’s Record Express as well as the closing of the legendary Trash American Style store in Danbury. Wallingford’s Redscroll Records (co owned by WESU stalwart Rick Sinkiewicz) is also spotlighted and provides a glimmer of hope for the future of the business.


Admission is free, but donations will benefit the film maker and WESU and are strongly encouraged. Come join us!


When: Sunday, April 17th at 4:00 PM
Where: Shanklin room 107, Wesleyan campus, Church Street


For more information call 860-685-7703 or email board@wesufm.org

Thursday, August 19, 2010

Remembering a Gem

For twenty years, Record Express was a Middletown Main Street fixture. The store was part of a small independent chain of music stores owned by a local businessman. At its peak the chain had 14 stores in Connecticut and Massachusetts. In 2004 and 2005, the Record Express chain stores closed one after the other in rapid secession. The West Hartford store in the Center closed. The Hartford store on Pratt Street closed. The Cromwell store closed. And on and on until only one remained, right here in Middletown. It remained open for an extra year plus after all the other unlucky thirteen had closed. What Middletown's Record Express had that the others didn't, what allowed it to persevere and remain open, was the charismatic personalities of its managers. The last of those managers was Ian, who managed Record Express from 1998 until its closing in 2006. He followed in the footsteps of those before him and to some he was a Middletown icon. Ian always treated his customers and his employees with kindness and respect. He knew his customers, he knew his store, and he knew Middletown. He was at home behind the counter. He had an amazing talent for identifying music that a customer would like based on knowing what they liked and bought in the past. He never tried to convince a person to buy something that he or she wasn't interested in, or to like something that was not his or her taste. He understood that music was about what makes you happy, not what is cool or trendy. Ian brought the human element into the quest for new and different music that will never be found at the mega-chains or online. He never made much money; he sometimes joked that he could probably make more money working at McDonald's. He worked six days a week. He didn't use most of his company provided paid vacation time. It was a labor of love.


Despite Ian pouring his heart and soul into Record Express, business was still business. Rent increased, profits decreased, music sharing technologies gained momentum, and eventually the last of the once thriving chain shut its doors. When Record Express of Middletown finally closed in June 2006, it hardly came as a surprise to most. Barely a week went by when there wasn't another news story about the dying music industry and all the competition that traditional music distribution was getting from modern technology like Napster, mp3s, disc copying, dowloading, and iTunes. While the store closing may not have been a surprise, it was still a very sad and painful development for many. The store wasn't simply a place to buy music, and music simply wasn't a thing to be bought. Music could change your life and make you see things in a different perspective. The store was a place to be.

One person who clearly recognized the profundity of this was Brendan Toller. Brendan grew up in Portland and began visiting Record Express with his father at a young age. He continued discovering music there throughout his childhood. When he went off to college, he studied film, and when it came time for his senior film project, his subject became record stores and the reasons why so many of them were closing down. In a stroke of bittersweet but not quite ironic coincidence, Brendan's home town favorite Record Express closed during the time that he was making his movie, allowing that day to be captured in his film. Some of that footage is unarguably the most touching and memorable of the whole film.

Brendan's senior project became the acclaimed documentary I Need That Record! The Death (Or Possible Survival) of the Independent Record Store. The film has been making waves on the festival circuit where it's been well received at dozens of festivals around the world, and has been reviewed in countless magazines and newspapers including Rolling Stone, The Boston Globe and many more. At the North by Northwest film festival in Toronto, there were more people trying to see the film than there were seats in the theater, and viewers were turned away due to the capacity being maxed out. The film won an audience favorite award at the Melbourne International Film Festival in Australia, beating out It Might Get Loud, the Sony Pictures release which featured guitarists Jimmy Page, The Edge and Jack White. The latest print review was just recently published in the British magazine Uncut.

In the film, lovable and heartbroken Ian is contrasted with fiercely proud and determined Malcolm Tent, of Danbury's Trash American Style, another Connecticut record store that met its unfortunate demise around the same time. The tales of Ian and Malcolm and their stores are interwoven with commentary by an impressive bunch of musicians and insiders such as Thurston Moore of Sonic Youth, Ian Mackaye of Dischord Records, Fugazi and Minor Threat, Mike Watt of the Minutemen, guitarist Lenny Kaye of the Patti Smith Group, Chris Frantz of Talking Heads and Tom Tom Club, Patterson Hood of Drive-by Truckers, and more. The interviews are insightful and smart. The filmmaker paid as much attention to the visual aspect of this documentary as he did to the spoken content, including wonderful collage animations and lots of great footage including clips shot at a working record manufacturing facility in Tennessee.

The film was just released on DVD in July and is available to buy at many of the usual modern online outlets, as well as independent record stores (they aren't extinct) such as Red Scroll Records in Wallingford. Red Scroll is also featured in the film, as the “possible survival” part. And surviving they are.

Tuesday, August 3, 2010

1000 Journals... And Counting

If you have made a stop into local favorite Klekolo World Coffee lately, you may have noticed a very plain announcement hanging on the register with a brief description of the 1000 Journals project. This project started about 10 years ago when “Someguy”, who I suppose wishes to remain anonymous, turned his fascination with bathroom wall scrawl and the reasons behind it into an interactive shared journaling project. The project became a book and later a documentary film, in which Klekolo appears for a brief moment. It is described as a “global 'message in a bottle'.” The original 1000 Journals website describes the origin of the project:

The 1000 Journals Project is an ongoing collaborative experiment attempting to follow 1000 journals throughout their travels. The goal is to provide a method for interaction and shared creativity among friends and strangers. How It Works: Those who find the journals add something to them. A story, drawing, photograph, anything really. Then they pass the journal along, to a friend or stranger, and the adventure continues.

After the project was underway for about 6 years, the 1000 Journals Project book was published by Chronicle Press. It's available to borrow at the Russell Library, though I bet its a safe assumption that the author and publisher might prefer you to buy your very own copy of it for your collection. The documentary by filmmaker by Andrea Kreuzhage was released on DVD in early 2009 and is about people whose lives are touched by the traveling journals. The film toured the festival circuit for the last two and half years and has received rave reviews too numerous to mention. It is available for purchase at Klekolo. The filmmaker has personally sent them to be sold in communities that participated in the project and sends her advanced appreciation for any help in supporting her art. The project also spent some time as a travelling art installation at various museums including an exhibition at the San Francisco Museum of Modern Art.


The original concept of 1000 journals was launched without the sophisticated web tracking tool and only 1 of the 1000 journals ever made it back to the originator. That "one that made it back" is also known as Journal 562 and is the one that spent some time at Klekolo. I learned from the owner of Klekolo that Journal 526 circulated around Klekolo and it's regular (and maybe not so regular) customers for months. Many pages were done in and around Klekolo and other points in Middletown. As for the other 999, presumably they are floating around out there somewhere, or sitting on bookshelves, at the bottom of boxes, in basements or in landfills, just adding to the mystique of the project.

Because of the popularity of the project and the demand for it to continue on with more journals, the 1000 Journals evolved into the new, improved, and expanded 1001 Journals. Now individuals anywhere can start up the journals whereas the original concept had all thousand of the journals started and put into circulation by one person (Someguy). The project, originally dubbed an experiment, is still going on strong today. The journals are tracked on the website and some of the pages are scanned in so they can be viewed online. You can search for one of the nearly 3600 journals that are now a part of this project, and find journals that are still in progress and sign up to contribute a page. The journals that are involved in this project are making it all around the world with about 60 different countries represented. Some of them are kept private among a circle of friends who have signed up, and some of them are public and have specific themes.

I spent some time perusing the scanned pages of some of the more recent journals on the website and I felt a little disappointed that most of the pages are packed with artwork like drawings and collages but are sparse at best on the stories, thoughts, and feelings that traditionally might be associated with a journal. I think one of the appeals of this concept is the titillation factor of having a window into other people's minds and the vicariousness that goes along with that. The artwork is certainly nice to look at, but as they are journals, I observed a noticeable lack of the written word. I did learn from the owner of Klekolo; however, that many of the journals do indeed have much writing in them including personal stories and such. You can't see much of that on the website scans, for whatever reason, but I would venture a guess that having the book in hand and actually holding it and reading the writings would be a much more satisfying experience than looking at it online. I have also learned that in the published book there is a page that was created here in Middletown by Tony Palmieri of Datura, and that it is so visually appealing it got a full page spread in the published book.

I wonder if the absence of a known tracking system in the original launch may have produced pages with more heartfelt and profound scribblings, along the lines of what you can see in Found Magazine. Everyone who contributes to the journal pages of the current day project surely must know ahead of time that their work will be on display for the world to see. In any case, from the looks of it this project is now self-propelled with no end in sight. So who knows, maybe some of the other 999 original journals might reappear. Cause for a sequel, I'd say.

View the movie trailer on YouTube