None ever wished it longer than it is

(John Basinger brandishes his tattered memory book.)






John Milton was born 400 years ago, and my apologies to Middletown Eye readers for neglecting to highlight the celebration by Wesleyan University this past week.

All but one celebratory event has passed.

And that one's magnificent.

John Basinger will be reciting, from memory, the entire text of Paradise Lost, all twelve books, in a marathon session that runs over two days at the Buttonwood Tree, 605 Main Street, Middletown, on Saturday and Sunday, December 13 and 14..

If you don't think the memorization and dramatic recitation of Paradise Lost is amazing, refresh your memory on the length and poetic density of the work here (this GoogleBooks version includes the famous criticism of the work provided by Sam Johnson, which serves as the title of this blogpost - the entire essay is worth reading since Johnson's critique appears only after pages of praise.)

"In 1993, I decided I wanted to do something for the millennium," Basinger said recently in a bemused recollection. "Something that was millennial. I thought, why not choose something wildly challenging, and Paradise Lost came to mind and it stuck."

Basinger looks every bit the part of the professor emeritus/actor he is, a fierce intellect masquerading behind a wisp of tousled red hair streaked with grey, and a ready smile. A witty joke is always at hand, as is a pithy thought, passed poetically.

Basinger made his millennial goal, memorizing two books a year.

"After finishing the first two books, I thought, 'Oy, oy, oy. Where the hell is the beauty?'" Basinger recollected. "But I have a bit of a stubborn streak."

Immediately after memorizing the first books, Basinger began to perform them, adding books as he committed them to memory. Basinger is not sure he's ever found the beauty in the epic poem he expected to find.

"His (Milton's) intent is not to create a beautiful image," Basinger suggests, echoing some of what Dr. Johnson wrote in his 18th century introduction. "His eye is elsewhere. There is not much sentiment. Not much passion to be found.'

While Basinger is rightfully proud of his achievement, and has been praised for his performances of Milton's masterpiece, he is sure that he is not the first to have mastered the poem.

"In previous times there were people who realized there was value in memorizing it," Basinger said. "And I've found some evidence in my research. There is a rumor that Harold Bloom had done it. In fact, he claimed to have done it as a child. Well, allright, Harold."

Basinger chuckles at the thought of even a precocious child committing the muscular poetry of Paradise Lost to memory.

"I'm morally certain that I'm not the first to have done it," Basinger said. "In these times, it's not too hard to imagine that I am the first, or the only."

Basinger's performance begins Saturday morning, December 13 at the Buttonwood Tree, beginning at 10 a.m. The performance continues through Saturday and Sunday, with Monday reserved in the case that "the spirit is willing, but the flesh is weak."

Finding Paradise Lost

John Basinger, educator, actor, author and long-time resident of Middletown, began memorizing John Milton's "Paradise Lost" in 1993. It's quite a daunting task seeing as there are 12 books and Milton wrote in the poetic language of 17th Century Great Britain. The first edition was published in 1667 with a revised edition 7 years later.

Basically, it's the story of "the Fall of Man", specifically Satan's dealings with Adam and Eve in the Garden of Eden. Milton allows the reader to see the "first couple" before they discover sin, how they lived and how the poet imagined they treated each other. One also gets a fuller picture of Satan, how he organized his followers and how he engineered the fall.

Now, there is a video of Basinger performing all 12 books, recorded in concert in 2001 on the stage of the Basinger Auditorium at Three Rivers Community College in Norwich. The facility, so named to honor his 2-plus decades of teaching there, gives him the room to move, to stage the piece, to make the words become part of a performance that is highly dramatic and riveting.

The video not only features the 600-minute performance (recorded over 3 days in 2001) but also an extra disk with interviews, music, and more. For more information, go to www.paradiselostperformances.com where you can also view snippets of the show and read more about this amazing theatrical event.