Thursday, September 20, 2012

Middlesex Historical Society Transports Visitors Back to 1862 With Annual Civil War Day

For most of the people milling around downtown, last Saturday was simply another beautiful weekend afternoon in 2012. But that was not the case for anyone who ventured to 151 Main Street. Visitors to the Gen. Joseph Mansfield House were transported back to the battlefields of the Civil War at The Middlesex County Historical Society’s s annual Civil War Day on Saturday from 10am-3pm.

Visitors were able to learn about military and civilian life in 1862 from a variety of organizations and presenters. The event primarily focused on the battle of Antietam and the time period surrounding it. September 17th is the 150th anniversary of Antietam. Antietam, which took place in Maryland, was the bloodiest single-day battle in American history, with roughly 23,000 casualties on both the Union and Confederate sides. Five Middletown soldiers perished in the battle, among them General Joseph K. Mansfield.

The central event of the day was a talk by Richard Slotkin, the Olin Professor of American Studies (Emiritus) at Wesleyan, on the subject of his recently published book The Long Road to Antietam: How the Civil War became a Revolution. Slotkin is well known for his highly regarded trilogy of books on the myth of the frontier of American cultural history: (Regeneration through Violence” (1973), “The Fatal Environment” (1985), and “Gunfighter Nation” (1992).

Slotkin’s talk focused on both the battle itself and the ruinous conflict between Union general-in-chief George B. McClellan and President Lincoln and his Cabinet. Slotkin discussed how McClellan was frequently derisive of and insubordinate to Lincoln and his advisors.1992). “McClellan assembled a large organization of loyalists around him,” he stated. “McClellan established a cult of personality around him and completely bought into it. He earned the nickname of “Little Napoleon” because of his huge ego.” McClellan’s sympathy toward the Confederate cause and desire to obtain a conclusive battlefield victory that would quickly end the war and lead to negotiations heavily contributed to his lack of aggressiveness as a general at Antietam.

Slotkin painted a vivid and detailed picture of the scene at Antietam. He discussed how Robert E. Lee was able to take advantage of McClellan’s cautiousness and gigantic overestimation of the Confederate forces leading up to the battle to advance north of the Potomac River and claim defensive positions at Antietam Creek. McClellan continued to overestimate the size of the Rebel army and eventually sent less than one-third of the army into the battle, with much of it being led by inexperienced and overwhelmed commanders. Lee, on the other hand, was forced to commit his entire forces. Antietam would be a series of bloody assaults and counterattacks. At its conclusion, 25% of the Federal forces and 31% of the Confederate forces experienced casualties. Though Lee was able to force McClellan’s troops into a standstill, the Con

federates had no choice but to retreat and move out of Maryland due to their losses. Slotkin explained how the retreat was a victory for the Union, the main reason being that it assured Washington would not be invaded by the Confederates. The victory was significant enough that it allowed Lincoln to sign the Emancipation Proclamation, discouraging the British and French governments from recognizing the Confederacy.

Antietam also signaled a death knoll for McClellan. McClellan’s many mistakes there gave Lincoln all the reason for firing him two months later. Slotkin stated that McClellan’s dismissal freed the Union of a poor, treacherous commander. “With McClellan gone, the Union was better able to survive the largest political/military complex our nation has ever experienced,” he said. Slotkin stayed after his talk to sign copies of his book for the audience.

Though this talk may have been the central event of the day, visitors had a variety of opportunities to experience Civil War living history. There were presentations on the camp life of the Union soldier and throughout the day. Re-enactors from the 14th Connecticut Volunteer Infantry, Company F, set up these camps and demonstrated everyday life for ordinary soldiers.

These demonstrations focused on how soldiers cooked their meals, the drills they practiced and how they fired their weapons. Company F’s re-enactors demonstrated to visitors the weapons soldiers used and the many ways soldiers were taught to march, hold these weapons and fire them (using paper bullets). This demonstration was led by Sgt. Lt. Paul Martinello of Somers. It was a very informative look at all the steps Civil War soldiers had to go through to be successful and survive while fighting, and it certainly made me more appreciative of the sacrifices soldiers willingly made at Antietam and other Civil War battles.

Company F thoroughly demonstrated how soldiers cooked the meals they regularly ate. Private Bill Mellow served as cook for the encampment and named his tent Hick’s Mess, after Sgt. Maj. William Bliss of Bridgeport. Mellow put together a beef and turnip stew with red bliss potatoes, baking soda biscuits and bread pudding.

After the presentation, I spoke to Irving Moy, who portrays Corporal Joseph Pierce, the highest ranking Civil War Chinese soldier, about how he became involved with Company F, and the organization’s mission as a nonprofit historic preservation and education organization. “I have always been a huge fan of Abraham Lincoln, and I got interested in living history through that,” Moy said when asked how he joined Company F. “I joined this Company when I found out a Chinese soldier served in it.” “I feel our mission is to educate people about the Civil War and to preserve its memory,” Moy stated. “Young people are not getting the history education they need nowadays, and these types of events allow us to reach out to this generation and help them.”

At Company F’s camp space, Julie Moy of Wallingford had set up a display of artifacts from the Christian Commission, a group of YMCA volunteers who tried to provide spiritual well-being for soldiers. These artifacts were representative of the type of care packages the Christian Commission would send out. The display included a Bible, stationary for the soldiers to write on, bandages, foods such as hardtack (which I tried and nearly choked on) and news from home.

Another re-enactor had laid out the contents of the first aid kits soldiers normally used. Two speakers at the event presented in addition to Prof. Slotkin’s. Jeff Lawrence held a discussion on military uniforms entitled “The Shako to the Forace Cap-Development of the Militia vs. Civil War Uniforms.”

Jen Eastman-Lawrence held a discussion on the music of the war entitled “Music of the Late Unpleasantness.” Finally, the musical group Backswamp Ensemble played songs by Middletown native Henry Clay Work throughout the day, as well as traditional love ballads like “Lorena” and “Shenandoah.”

The Mansfield House serves as the currently serves as the headquarters and museum of the Middlesex County Historical Society. You can learn more about the Historical Society by visiting its headquarters or online at www.middlesexhistory.org.

Monica Tinyo ’13 interviews Jessica Weinstein ’02 of Anonymous Ensemble (September 22)

Jessica Weinstein '02 as Tall Hilda in "Liebe Love Amour!"

On Saturday, September 22, the Center for the Arts presents "Liebe Love Amour!", an interactive
work by Anonymous Ensemble. CFA Intern in Arts Administration Monica Tinyo '13 interviewed Jessica Weinstein, Anonymous Ensemble member and Wesleyan alum (Class of 2002), in this entry from the CFA blog.  
Monica Tinyo: I loved the interactive video preview for Liebe Love Amour! Hilda is such an enticing character; you can't help but continue to answer her questions and go through the stream of videos. What was your inspiration for Hilda?

Jessica Weinstein ’02:
As with all of my alter-egos, Hilda was born not created. The evolution of Hilda has been going on for at least ten years. Hilda first appeared on stage as the MC for the performance piece, TheBest [Weinstein's first performance with Anonymous Ensemble], in which I walked around the stage on stilts.
I love that anything can happen in live spaces with real bodies [both the audience and artists]. In Wanderlust, another piece by Anonymous Ensemble, we directed the audience through multiple spaces in a massive circus tent. It was a children's show for adults; we called it a "narrative dance party" with live violins and drums. Although it was scripted, it completely involved the audience. Audience members played all the non-speaking roles, which enables the piece to be a distinctly different experience every time; there is a nervous energy when using non-actors that always adds a layer of excitement.
We continue to conceive structures that involve the audience and act as a platform for flexibility and spontaneity. In Liebe Love Amour! we are toying with the idea of how to create a "live film" that also brings in the audience. We combine the most magical aspects of film, the intimate gaze into someone's soul, with the real time and space of the theatre.
MT: How did your company come up with the name Anonymous Ensemble: Intrepid Pioneers of Stage and Screen?
JW: It existed before I came to the company; Eamonn Farrell came up with it. Whatever we were doing was always the "thing" rather than a manifestation or showcase of the company; what was and is important is the present project rather than the "ensemble." Also, the company is always changing; everyone who has been part of the ensemble at some point is and will always be part of the ensemble. The title of the company always made sense with the performances; in my first performance with Anonymous Ensemble (TheBest), there were these renegade, revolutionary tendencies I associated with an underground “ensemble;” it was an epic battle between a group of underground government hackers and pop icons. You could say that the common thread between the projects that are seemingly so different is that there is always searching. In Liebe Love Amour!, the audience goes on a quest for love with the lovely Hilda.
MT: How did your time at Wesleyan shape you as a performance artist and actress?

JW: I was a Theater and English major at Wesleyan. Recently, I keep going back to a class with Ron Jenkins in the Theatre Department in which we researched and recreated documentaries. That class planted the seed of "live film" and an intersection of film and real life.
I am very excited to perform Liebe Love Amour! at my alma mater; Wesleyan should be a great audience for this interactive piece!
 
Anonymous Ensemble: Liebe Love Amour!
New England Premiere

Saturday, September 22, 2012 at 8pm

CFA Theater

$23 general public, $19 senior citizens, Wesleyan faculty & staff, non-Wesleyan students, $6 Wesleyan students

"Behind all the frenetic and seemingly spontaneous activity is a very cleverly constructed 'performance script,' with the audience expertly managed to suit the show's needs."
—Circus Sideshow Magazine

Liebe Love Amour! is a theatricalized “live film” of an epic search for love. In this latest work of interactive theater, Anonymous Ensemble creates Hollywood magic using cameras, a green-screen, live video processing software, and the opulent imagery of silent film director Erich von Stroheim. The show unveils a panoply of love affairs between Tall Hilda and a string of paramours including a fictionalized Erich von Stroheim, a devout Gloria Swanson, and the audience in the theater. Throughout the narrative, the audience is drawn into and onto the silver screen as their own stories become part of the fabric of the piece. The show is a tryst between cinema and live performance that invites the audience to voyeuristically participate in the artifice of cinema and the magic of theater simultaneously. With its lush, cinematic orchestration and rapid, real-time editing, Liebe Love Amour! spins layers of romance and reality as it reels towards its inevitable Hollywood finish.
Tickets are available online or by phone (860-685-3355) or in person at the Wesleyan University Box Office in the Usdan Center at 45 Wyllys Avenue.

To learn more about Anonymous Ensemble, click here:
http://anonymousensemble.org/AnEnBlog/

And for Jessica Weinstein’s blog, click here:
http://www.tallhilda.blogspot.com/

Community Health Center, INC. Recieves $250,000 Grant


The Community Health Center, Inc. (CHC) has been awarded a $250,000 grant from health care benefits company Aetna to conduct a two-year study  aimed at improving the coordination of health care for low-income and underinsured patients at community health care clinics and similar safety-net health care providers.

The study’s goal is to create a measurement toolkit that can successfully evaluate the levels of care coordination at primary care practices providing outpatient care for underserved populations. 

Care coordination is a central component to many health care reform efforts to improve patients’ health, patients’ experience of care and at the same time lower costs.   Care coordination is typically defined as a patient-centered, interdisciplinary approach where all of a patient's needs are managed across providers and settings in an integrated, cost-effective manner.

“According to a study published in the Annals of Internal Medicine, primary care physicians for Medicare patients typically share patient care for their caseload with 299 other physicians with whom they should coordinate care,” said Daren Anderson, M.D., vice president and chief quality officer of CHC. “Clearly, closely coordinated care is an important strategy to make sure patients have all their health needs addressed and don’t receive conflicting instructions, duplicated tests or unnecessary treatments. 

“Currently, there are very few tools available to assess the quality of care coordination in various settings, and there are none that are specific to our setting,” Anderson said.  “Aetna’s grant will enable us to address these issues and  provide tools to health centers nationwide that are working to improve health outcomes, enhance patient experience and reduce costs.”

Anderson and his research team will test the care coordination measures they develop at a cross-section of CHC sites, Connecticut’s largest network of Federally Qualified Health Centers.  CHC has primary care sites in 13 communities in the state, as well as school-based clinics and mobile dental units.  CHC serves 130,000 patients, nearly all living at or below 200 percent of the poverty level. 

“The results of CHC’s study have implications for similar safety-net settings in the United States,” said Gillian Barclay, D.D.S., Dr. P.H., vice president of the Aetna Foundation, which will provide ongoing support for the study. “The more precisely we can envision what coordinated care looks like and how best to weave it into the everyday delivery of health care, the closer we can get to an optimal delivery of care that produces the best outcomes at the lowest cost.”

Improving health care through better integrated and more closely coordinated health care is one of the Aetna Foundation’s three program areas.  In the past two years, Aetna and the Aetna Foundation have directed more than $2 million in grants for projects in the United States and the United Kingdom to advance integrated health care and measure the effectiveness of different integrated health care models.

Wednesday, September 19, 2012

Jewish Genealogical Society Program, Sunday, October 21, 1:30 p.m., Godfrey Library, Middletown

Share Your Jewish Genealogical Successes Roundtable
The Jewish Genealogical Society of Connecticut will meet on Sunday, October 21, 2012, at 1:30 pm, at the Godfrey Memorial Library, 134 Newfield Street, Middletown.  The program is free and open to all.  

Come and share your successes with other Jewish genealogists from throughout Connecticut.  Attendees will have about ten minutes to explain at least one success found on their genealogical journey.  Describe your brainstorms, your interviewing and research techniques, advice given—anything and everything that added to your family tree.  You never know, your success may demolish some else’s genealogical brick wall!

Shy?  Then come to listen, learn, and network.

The Jewish Genealogical Society  library at Godfrey will be available for research after the program. 

For additional information, visit the JGSCT website,, or call 860-424-6143.

Middletown REMIX workshops

Two workshops are being held to teach folks about the ongoing Middletown REMIX PROJECT. Today at 6pm and tomorrow at noon. Both to be held at the Green Street Arts Center .

Visit http://urbanremix.gatech.edu/content/middletown for more info.

Editor's note from Karen Swartz: Thanks to Topher for posting this. I updated the link so that it is an active link and will take you to the site, where you can listen to 30 various sounds that people have already uploaded. There's a map to show where all the sounds are from.  One of the uploads was done by "jdankosky" ... I imagine this might be from John Dankosky, the host of the NPR radio show Where We Live. It is worth checking out. I am going to think about contributing some sounds and I hope that Eye readers will too!

Wesleyan To Offer Online Courses

Wesleyan has joined an international group of universities which offer courses on-line, for free. Coursera, a company founded by two Stanford University professors, offers what are known as massive open online courses (MOOCs). Coursera boasts over 1.3M registered students, with some classes of 50,000 students from all over the world. Students can obtain a certificate from Coursera for passing each course.

Wesleyan is one of 17 new universities to offer courses (New York Times article). There are now 33 different schools, including Stanford, The Hong Kong University of Science and Technology, Brown, and Princeton. Wesleyan is the first predominantly undergraduate institution on the list.

Farmers Market At Wesleyan Today

Wednesday September 19
11am - 2pm
OUTSIDE USDAN (on Wyllys Street).

Vendors will include: Bon Appetit, Zen Roasters, Beaver Brook Dairy Farm, Long Lane Farm, Auntie Arwen Spices, Urban Oaks Farm, Horse Listeners Orchard, Meriano's Bake Shoppe, Sweet Sage Bakery

Tuesday, September 18, 2012

An Editorial and an Advertisement

Local fine artist David Schulz is know for posting Burma-Shave-style political messages on the lawn of his home.

Thursday, Schulz will be hosting an opening of a showing of his works at the Green Street Arts Center.  The opening takes place during the Middletown Arts Walk from 5-9 p.m.

First the latest editorial, then the ad.






Author to Speak in Honor of Women Conservationists

Middletown, CT—The Rockfall Foundation is hosting an evening talk and reception with award-winning Colorado reporter and author, Dyana Furmansky, featuring her most recent book,  Rosalie Edge Hawk of Mercy: The Activist Who Saved Nature from the Conservationists. Furmansky will speak September 20, 7:00 pm to 9:30 pm at the deKoven House Community Center. The program is part of national recognition for the 50th anniversary of the publication of Rachel Carson’s groundbreaking book, Silent Spring.

Alison Bechdel to Read at Wesleyan

Celebrated cartoonist and author, Alison Bechdel, will be speaking and reading from her work on Wednesday, September 19th, 2012 at 8:00 p.m. in Wesleyan University’s Russell House, 350 High Street. The reading is free and open to the public, with a reception and book signing to follow the reading.

Living In a No Paper Town, Part Two

Update:  In my intial piece, I inadvertently edited out this phrase "a tireless Patch reporter."  As they say, when you edit yourself, you have a fool for a client.

COMMENTARY
 
“The decline of newspapers has meant that the political class has been getting away with murder even more than usual, because investigative journalism is expensive, and newspapers are poor.”
-       The Colonel, The Middletown Eye, Sept. 9, 2012
(DISCLAIMER: This is the first year, in all of my 60 years, that I live in a home where a daily paper is not delivered to my doorstep.  This concerns me.  But what concerns me more is that my lack of support may mean a future where important stories are not reported at all).

The Wolf Is At the Door With A Newspaper In Its Mouth
The daily printed newspaper has been driven to its knees by a perfect storm of forces over the past five decades.  In the sixties, evening TV news broadcasts began to nail the coffin shut, nearly eradicating every afternoon newspaper in the country (I used to deliver and report for one - The Hartford Times).  Escalating print costs, combined with increased labor, tax and transportation costs continued to hobble the industry.
But, the remaining morning newspapers were still cash cows.  They owned downtown buildings.  They turned tidy profits with print ads, preprints (those Sunday circulars),classifieds and decent, though eroding, circulation.  Those family and privately held papers, including the Middletown Press and the Hartford Courant, began to be gobbled up by the chains.  And the chains were devoured by larger media conglomerates and investment companies.
The accumulating debt began to smother the papers, which cut reporters and content to streamline operation.  But that only served to alienate readers.

Younger readers were harder and harder to find.  And when the internet convinced a generation that content wanted to be free (as in “unpaid for”), Craigslist, Google, Facebook, Twitter and the rest, rendered the print newspaper irrelevant.  The web provided the final nail to the print coffin.

I won't miss the Press

Opinion piece, not the opinion of the Eye or its other writers, written in response to Ed McKeon's piece :http://middletowneyenews.blogspot.com/2012/09/living-in-no-paper-town-part-one_14.html

    Ed's  great piece was not about the death of print newspaper, but reading it, those questions came to mind. So I hate to be a negative nancy, but I only feel sorry for those who may become unemployed if Middletown Press goes under, not the ending of the paper itself. In fact, I am a little ... relieved? From a perspective of someone who was involved in a variety of charitable activities in the past and trying to get coverage of those events by the Press, all I can say is that the poor response and lack of good communication skills with readers is one reason why I am not surprised this paper is not as widely read as it once was.
     Getting positive events published in print is not about getting self recognition, or feeling the need for the media to blow sunshine in my direction; for me it is a personal matter that the history of Middletown we all leave behind is somewhat all encompassing. If it isn't accurate, if that is not possible, at least all sides will be conveyed from which some semblance of truth can be derived.
    On more than one occasion, I tried to get some mention of a positive event in print only to be told that even though the paper is called The Middletown Press, they did not have adequate coverage of Middletown and were not interested. I used to fax, call and email, months in advance to no avail; and many times given the run around and told to follow up with this person or that instead.